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Book Title: The Tales of Chekhov, Volume 12: The Cook's Wedding and Other Stories|
Format files: PDF
The size of the: 389 KB
v The author of the book: Anton Chekhov
Edition: Echo Library
Date of issue: July 17th 2006
ISBN 13: 9781846376504
City - Country: No data
Read full description of the books The Tales of Chekhov, Volume 12: The Cook's Wedding and Other Stories:Not only am I a fan of Chekhov but I am fond of the Garnett translations as well. They often seem to have the wonderfully deep simplicity that seems to be the hallmark of Chekhov's brilliance. Having translated all of Chekhov's stories, I imagine there was quite a task to figure how to arrange the collections, and my first inclination here was to think that this collection contains the rejects, the stories that simply don't stand up to others. I, like many other writers, find Chekhov brilliant and a model for the short story, but one must be objective about role models, and even the genius can (and probably should) have lapses. And I feel a lot of them were reposed to this collection. "Sleepy" is a wonderfully disturbed story and harks on the best of Chekhov, that wonderful objectivity that lets the situation speak in multiple dimensions, but a lot of others here come across as observations rather than stories, quick scenes that invite us into a character's life, but also seem removed from them.
But it might be that this collection also revolves around stories that give the perspectives of animals, and Chekhov couldn't write animals. When he is successful as animals, they are part of the scene and situation, but they are more reflections of characters' attitudes than characters themselves (take a story not in here--"Misery"). But in this collection, Chekhov gets into animal's heads, quoting their thoughts, even, and thus stretching credibility.
Glad at least that most of these crummy stories have been deposited here, so as o know better what to step around.
Read information about the authorAnton Pavlovich Chekhov was born in the small seaport of Taganrog, southern Russia, the son of a grocer. Chekhov's grandfather was a serf, who had bought his own freedom and that of his three sons in 1841. He also taught himself to read and write. Yevgenia Morozova, Chekhov's mother, was the daughter of a cloth merchant.
"When I think back on my childhood," Chekhov recalled, "it all seems quite gloomy to me." His early years were shadowed by his father's tyranny, religious fanaticism, and long nights in the store, which was open from five in the morning till midnight. He attended a school for Greek boys in Taganrog (1867-68) and Taganrog grammar school (1868-79). The family was forced to move to Moscow following his father's bankruptcy. At the age of 16, Chekhov became independent and remained for some time alone in his native town, supporting himself through private tutoring.
In 1879 Chekhov entered the Moscow University Medical School. While in the school, he began to publish hundreds of comic short stories to support himself and his mother, sisters and brothers. His publisher at this period was Nicholas Leikin, owner of the St. Petersburg journal Oskolki (splinters). His subjects were silly social situations, marital problems, farcical encounters between husbands, wives, mistresses, and lovers, whims of young women, of whom Chekhov had not much knowledge – the author was was shy with women even after his marriage. His works appeared in St. Petersburg daily papers, Peterburskaia gazeta from 1885, and Novoe vremia from 1886.
Chekhov's first novel, Nenunzhaya pobeda (1882), set in Hungary, parodied the novels of the popular Hungarian writer Mór Jókai. As a politician Jókai was also mocked for his ideological optimism. By 1886 Chekhov had gained a wide fame as a writer. His second full-length novel, The Shooting Party, was translated into English in 1926. Agatha Christie used its characters and atmosphere in her mystery novel The Murder of Roger Ackroyd (1926).
Chekhov graduated in 1884, and practiced medicine until 1892. In 1886 Chekhov met H.S. Suvorin, who invited him to become a regular contributor for the St. Petersburg daily Novoe vremya. His friendship with Suvorin ended in 1898 because of his objections to the anti-Dreyfus campaingn conducted by paper. But during these years Chechov developed his concept of the dispassionate, non-judgemental author. He outlined his program in a letter to his brother Aleksandr: "1. Absence of lengthy verbiage of political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality; flee the stereotype; 6. compassion."
Chekhov's fist book of stories (1886) was a success, and gradually he became a full-time writer. The author's refusal to join the ranks of social critics arose the wrath of liberal and radical intellitentsia and he was criticized for dealing with serious social and moral questions, but avoiding giving answers. However, he was defended by such leading writers as Leo Tolstoy and Nikolai Leskov. "I'm not a liberal, or a conservative, or a gradualist, or a monk, or an indifferentist. I should like to be a free artist and that's all..." Chekhov said in 1888.
The failure of his play The Wood Demon (1889) and problems with his novel made Chekhov to withdraw from literature for a period. In 1890 he travelled across Siberia to remote prison island, Sakhalin. There he conducted a detailed census of some 10,000 convicts and settlers condemned to live their lives on that harsh island. Chekhov hoped to use the results of his research for his doctoral dissertation. It is probable that hard conditions on the island also worsened his own physical condition. From this journey was born his famous travel book T
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