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Ebook Dark Times Filled with Light by Juan Gelman read! Book Title: Dark Times Filled with Light
Language: English
Format files: PDF
The size of the: 364 KB
v The author of the book: Juan Gelman
Edition: Open Letter
Date of issue: November 20th 2012
ISBN: 1934824682
ISBN 13: 9781934824689
City - Country: No data

Read full description of the books Dark Times Filled with Light:

As Juan Gelman’s name begins appearing with regularity on lists predicting Nobel-Laureate-deserving poets, his work has also begun to appear in English. But only now are the most stunning translations of Gelman’s poetry being published, and in one substantial volume. Dark Times Filled with Light traces the evolution of a gifted lyrical poet’s encounter with the political, when the poet’s son and daughter-in-law become “disappeared” by the Argentinian government, and the poet must write from both a literal and metaphysical exile.

In this posthumously realized labor of love by the legendary translator Hardie St. Martin, Gelman’s staggering biography, and the poetics he developed to articulate and survive it, are unforgettably translated into beautiful and accessible poems that, taken together, weave a fragile but healing transformation. “There are losses,” says Gelman in a moving understatement. “The important thing is how returning to them transforms them into something new.”


"Perhaps the most admirable element of Gelman's poetry is the unthinkable tenderness he show . . . calling upon so many shadows for one voice to lull and comfort, a permanent caress of words on unknown tombs."
-Julio Cortázar

"Gelman's poetry is epic in its scope - no corner of life geos unnoticed in this work . . . Rendered in a breathless style, this is the diary of a human heart in a rough world where artistry is the first salvation."
-Oscar Hijuelos


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Ebook Dark Times Filled with Light read Online! Juan Gelman is one of the most read and influential poets in the Spanish language. He has published more than twenty books of poetry since 1956 and has been translated into fourteen languages. A political activist and critical journalist since his youth, Gelman has not only been a literary paradigm but also a moral one, within and outside of Argentina. Among his most recent awards are the National Poetry Prize (Argentina, 1997), the Juan Rulfo Prize in Latin American and Caribbean Literature (Mexico, 2000), the Pablo Neruda Prize (Chile, 2005), the Queen Sofia Prize in Ibero-American Poetry (Spain, 2005), and the Cervantes Prize (the most important award given to a Hispanic writer, Spain, 2007).

Long biographical note

Juan Gelman is the most significant, contemporary Argentine intellectual figure and one of the most read and influential poets in the Spanish language. Son of a family of Jewish immigrants from the Ukraine, he grew up like any other porteño, among soccer and tango, in the populous neighborhood of Villa Crespo. At 11, he published his first poem in the magazine Rojo y negro, and in the 1950s formed part of the group of rebel writers, El Pan Duro. He was discovered by Raúl González Túñón, among the most relevant voices of the southern country’s poetic avant-garde, who saw in the young man’s verses “a rich and vivacious lyricism and a principally social content […] that does not elude the richness of fantasy.”

Gelman has published, from his initial Violín y otras cuestiones (1956) to his most recent Mundar (2008), more than twenty books of poetry. These works, as Mario Benedetti asserted early on, constitute “the most coherent, and also the most daring, participatory repertoire (in spite of its inevitable wells of solitude), and ultimately the one most suited to its environment, that Argentine poetry has today”, and Hispanic poetry in general, as the profusion of re-editions of his books and numerous anthologies proves. Gelman’s poetry has achieved international recognition, with translations into fourteen languages, including English. Among his awards are the National Poetry Prize (Argentina, 1997), the Juan Rulfo Prize in Latin American and Caribbean Literature (Mexico, 2000), the Pablo Neruda Prize (Chile, 2005), the Queen Sofia Prize in Ibero-American Poetry (Spain, 2005), and the Cervantes Prize (Spain, 2007), the most important award in Hispanic Letters. No one should be surprised to see him the winner of the Nobel Prize in Literature one day.

It would be relevant to note that Juan Gelman has not only been a literary paradigm but also a moral one, within and outside of Argentina. A political activist and critical journalist since his youth, he was forced into an exile of thirteen years because of the military dictatorship that ravaged his country from 1976 to 1983, and the weak governments that followed. In 1976 the ultra-right kidnapped his children, Nora Eva, 19, and Marcelo Ariel, 20, along with his son’s wife, María Claudia Iruretagoyena, 19, who was 7 months pregnant. Nora Eva would later return, unlike his son and daughter-in-law, who were killed; their child born in a concentration camp. The vehement search for the truth about the fate of these family members, which culminated in finding his granddaughter in Uruguay in 2000, has made the poet a symbol of the struggle for respect for human rights.

Like other poets from his time and space, Juan Gelman creates his work starting from a critique of the so-called post-avante-garde poetry, which surges in the Hispanic world in the 1940s and breaks with the powerful avante-garde. He is a poet who denies the labors of the Mexican Octavio Paz, the Cuban José Lezama Lima, the Argentine Alberto Girri, among others, to reaffirm it in his own way. It is a poetry that goes against the current, transgresses the established social and cultural order, challenges the individualism intrinsic to modernity and the neo-colonial condition. A poetry that renounc


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