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Book Title: Recollections of the Golden Triangle|
Format files: PDF
The size of the: 493 KB
v The author of the book: Alain Robbe-Grillet
Edition: Grove Press
Date of issue: January 18th 1994
ISBN 13: 9780802152008
City - Country: No data
Read full description of the books Recollections of the Golden Triangle:A provocative novel by the most influential living French writer, Recollections of the Golden Triangle is a tour de force: a literary thriller constructed of wildly diverse elements—fantasy and dream, erotic invention, and the stuff of popular fiction and movies taken to its farthest limits.
A secret door that is opened slightly by an electronic device, a beautiful hanged factory girl, a pale young aristocrat whose blood apparently nourishes his vampiric lover, the evil Dr. Morgan who conducts his experiments in “tertiary dream behavior,” the beautiful and sinister women from the world of horror films, and the investigating police, who are not all what they seem to be, are just some of the ingredients of this intriguing new novel by the French master of the intellectual thriller, whose novels and films have effectively changed the way we can look at the “real” world today.
Recollections of the Golden Triangle challenges the reader to find his own meaning in its descriptions, clues, and contradictions, and to play detective by assembling the pieces of the fictional puzzle.
Read information about the authorAlain Robbe-Grillet was a French writer and filmmaker. He was along with Nathalie Sarraute, Michel Butor and Claude Simon one of the figures most associated with the trend of the Nouveau Roman. Alain Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat #32.
He was married to Catherine Robbe-Grillet (née Rstakian) .
Alain Robbe-Grillet was born in Brest (Finistère, France) into a family of engineers and scientists. He was trained as an agricultural engineer. In the years 1943-44 Robbe-Grillet participated in service du travail obligatoire in Nuremberg where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since in between the very rudimentary training he was given to operate the machinery he had free time to go to the theatre and the opera. In 1945, Robbe-Grillet completed his diploma at the National Institute of Agronomy. Later, his work as an agronomist took him to Martinique, French Guinea,Guadeloupe and Morocco.
His first novel The Erasers (Les Gommes) was published in 1953, after which he dedicated himself full-time to his new occupation. His early work was praised by eminent critics such as Roland Barthes and Maurice Blanchot. Around the time of his second novel he became a literary advisor for Les Editions de Minuit and occupied this position from 1955 until 1985. After publishing four novels, in 1961 he worked with Alain Renais, writing the script for Last Year at Marienbad (L'Année Dernière à Marienbad), and subsequently wrote and directed his own films. In 1963, Robbe-Grillet published For a New Novel (Pour un Nouveau Roman), a collection of previous published theoretical writings concerning the novel. From 1966 to 1968 he was a member of the High Committee for the Defense and Expansion of French (Haut comité pour la défense et l´expansion de la langue française). In addition Robbe-Grillet also led the Centre for Sociology of Literature (Centre de sociologie de la littérature) at the university of Bruxelles from 1980 to 1988. From 1971 to 1995 Robbe-Grillet was a professor at New York University, lecturing on his own novels.
In 2004 Robbe-Grillet was elected to the Académie française, but was never actually formally received by the Académie because of disputes regarding the Académie's reception procedures. Robbe-Grillet both refused to prepare and submit a welcome speech in advance, preferring to improvise his speech, as well as refusing to purchase and wear the Académie's famous green tails (habit vert) and sabre, which he considered as out-dated.
He died in Caen after succumbing to heart problems
His writing style has been described as "realist" or "phenomenological" (in the Heideggerian sense) or "a theory of pure surface." Methodical, geometric, and often repetitive descriptions of objects replace the psychology and interiority of the character. Instead, one slowly pieces together the story and the emotional experience of jealousy in the repetition of descriptions, the attention to odd details, and the breaks in repetitions. Ironically, this method resembles the experience of psychoanalysis in which the deeper unconscious meanings are contained in the flow and disruptions of free associations. Timelines and plots are fractured and the resulting novel resembles the literary equivalent of a cubist painting. Yet his work is ultimately characterised by its ability to mean many things to many different people.
Robbe-Grillet wrote his first novel A Regicide (Un Régicide) in 1949, but it was rejected by Gallimard, a major French publishing house, and only later published with 'minor corrections' by his life-long publisher Les Editions de Minuit in 1978. His fi
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