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Book Title: Spanking the Maid|
Format files: PDF
The size of the: 431 KB
v The author of the book: Robert Coover
Edition: Grove Press
Date of issue: December 18th 1997
ISBN 13: 9780802135407
City - Country: No data
Read full description of the books Spanking the Maid:Written early in Coover's illustrious career, Spanking the Maid is an impeccable and spellbinding novel about a master, his maid, and the irresistible ritual that binds them.
A bedroom and a bathroom are the only places where the two characters meet, and every day it is the same. The maid comes to the bedroom to clean. She inevitably forgets something -- the soap, fresh sheets, a bucket -- or does something wrong. The master has had a nightmare he can't quite recall that had something to do with when he was in school: lectures, or was it lechers? No matter, the maid must be reprimanded for her neglect, and out comes the handy paraphernalia -- a hairbrush, a cat-o'-nine-tails, a rod, a cane -- and the spanking begins.
Included in Harold Bloom's The Western Canon and named by Daphne Merkin in The New Yorker as one of her "favorite" S/M books, Spanking the Maid is a spare, tantalizing, and perfect book by an American master.
Read information about the authorBorn Robert Lowell Coover in Charles City, Iowa, Coover moved with his family early in his life to Herrin, Illinois, where his father was the managing editor for the Herrin Daily Journal. Emulating his father, Coover edited and wrote for various school newspapers under the nom-de-plume “Scoop.” He was also his high-school class president, a school band member, and an enthusiastic supporter of the Cincinnati Reds. In 1949 Coover enrolled in Southern Illinois University, and, after transferring to Indiana University in 1951, earned his bachelor's degree in 1953 with a major in Slavonic languages. While in college, he continued editing student papers, as well as working part-time for his father's newspaper. The day he graduated, Coover received his draft notice and went on to serve in the U.S. Naval Reserve during the Korean War, attaining the rank of lieutenant. Upon his discharge in 1957, Coover devoted himself to fiction. During the summer of that year, he spent a month sequestered in a cabin near the Canadian border, where he studied the work of Samuel Beckett and committed himself to writing serious avant-garde fiction. In 1958, he travelled to Spain, where he reunited with Maria del Pilar Sans-Mallafré, whom he had earlier met while serving a military tour in Europe. The couple married in 1959 and spent the summer touring southern Europe by motorcycle, an experience he described in “One Summer in Spain: Five Poems,” his first published work. Between 1958 and 1961, Coover studied at the University of Chicago, eventually receiving his master's degree in 1965. The Coovers lived in Spain for most of the early 1960s, a time during which Coover began regularly publishing stories in literary magazines, including the Evergreen Review.
In 1966, after the couple returned to the United States, Coover took a teaching position at Bard College in New York. He also published his first novel, The Origin of the Brunists (1966), which won the William Faulkner Award for best first novel. In 1969, Coover won a Rockefeller Foundation grant and published Pricksongs and Descants, his first collection of short fiction. That year, he also wrote, produced, and directed a movie, On a Confrontation in Iowa City (1969). Coover has maintained an interest in film throughout his career. During the early 1970s, Coover published only short stories and drama, including A Theological Position (1972), a collection of one-act plays, all of which were eventually produced for the stage. He also won Guggenheim fellowships in 1971 and 1974, and served as fiction editor for the Iowa Review from 1974 to 1977. By the mid-1970s, Coover had finished his next novel, The Public Burning; it took him more than two years to find a publisher for the work, which was ultimately cited as a National Book Award nominee. Coover received a National Endowment for the Arts grant in 1985 and a Rea Award for A Night at the Movies (1987), a collection of short stories. While Coover concentrated primarily on short fiction—with the exception of Gerald's Party—during the 1980s, he produced a series of new novels during the 1990s.
Coover has taught at a number of universities, including the University of Iowa, Columbia University, Princeton University, and Brandeis University, throughout his career. Since 1981 he has been a writer-in-residence and faculty member of the creative writing program at Brown University.
Among the vanguard of American postmodern writers to come of age during the late 1960s, Coover is respected as a vital experimentalist whose challenging work continues to offer insight into the nature of literary creation, narrative forms, and cultural myths. Convinced early in his career that traditional fictional modes were exhausted, Coover has pioneered a variety of inventive narrative techniques, notably complex metafictional structures and ludic pastiches of various genres to satirize contemporary American society and the role of the author. In this wa
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